![]() Whilst ‘212’ may be the best known track off the EP, it’s not necessarily a definitive example of Azealia’s work (or perhaps her upcoming album, Broke with Expensive Taste). ![]() Again, it works it seems this girl can do no wrong. The verses are characteristically fast but the track is laden with pauses to emphasise its more experimental features as well as the dog bark, Banks plays with distorting her voice at half speed. Van Vogue, too, opens powerfully with a strong beat and a kind of naff dog bark thing (it does actually work though logic dictates that it shouldn’t). It’s overtly luxurious and the rapping is just as speedy as you’d expect it to be. ![]() The EP opens with its title track, ‘1991’ café noises, ringing telephones and snippets of French conversation provide an introduction for Azealia purring in French. Each track delivers just what you would expect from young Miss Banks a cracking beat and Azealia spitting bars like nobody’s business. It’s been a while since Azealia Banks exploded into everyone’s radar with the undeniably epic ‘212’ and she continues to keep up the good work with the release of her new EP, 1991.
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